Using site-adjusted installations as my primary mode of practice, I deploy an integrated and focused approach to both theoretical and practical questions pertaining to the nature and impact of materiality specific to the re-occupation of post-industrial spaces. My works provoke a temporal-spatial encounter that reconciles the simultaneous and complex nature of cerebral and corporeal experience. Each inquiry utilizes a range of domains including art, architecture and anthropology as a means of exploring not only what material cultivations can be, but also what they, in fact, do. Based on a series of modulated experimental actions (material modalities), each installation is driven by the nascent possibility of a persistent desire to intercourse with existing material surrounds pursuant a philosophical position that leverages perceptual notions of chiaroscuro – the disposition of light and dark. By extension, the conscious and unconscious, the seen and the unseen, focus and open awareness and the made and re-made are factors in the realm of understanding and producing space. It is a full-scale, three-dimensional methodology that is followed by exploratory drawing and photography as a means to express its affects (immaterial harmonics).